Triptych

Reichart’s “Triptych” deals with aspects of digital and physical-territorial surveillance and the exercise of power.
Three panels made of recycled aluminium panels form a kind of fence equipped with natural wire, functioning cell phone charging cables and a small screen. A cheeky winking emoji is emblazoned in the middle, with a camera in its eye filming the audience. The recording is played back with a delay so that the monitored viewers themselves simultaneously take on the perspective of the monitor.